atfc comes correct once again for his label onephatdeeva and delivers one of his most hyped productions to date. life has been bubbling under for almost a year now in its original form but its the new lil mo life mix that has left tastemaker djs stunned spitting superlatives.

mischa daniels is back with a new release on fame recordings! after his big successes like take me higher he has gained a lot of respect from house djs global wide and he took it to the max again with 2 mixes on his new track are you dreaming. two quality housers to can in all your sets

for living003, dub kult has decided to pull together some of his own best productions to make the killer four-track >one world ep<. this ep has, arguably, more of a dance floor focus than previous eps on living, but maintains enaough trippiness for all but the most dedicated noodle heads..

berghain sureshot!! apotek records is born! this new label is the love child of the renowned producer and dj jerome sydenham also know for his flagship label ibadan records. continuing from the existing legacy of the classic ibadan ten inch series, which included monumental tunes like timbuktu (ibadan) and sandcastles (ibadan/defected), apotek was created to push the boundaries of the techno genre. this first release from apotek records shows sydenhams consistent commitment to quality material as also evident in the multiple classic releases from ibadan records. on this occasion, sydenham has hooked up with japanese producer hideo kobayashi leading to the formation of their new techno duo >nagano kitchen< and here delivering their first single >asama<. this innovative techno delight, currently only in the hands of a select group of international djs, is already causing chaos in some of the best rooms in the world

der dritte raum is possibly one of the most innovative liveacts germany’s techno scene has brought forward since the early nineties, the formative years when frankfurt trance was growing into a national movement that would change the course of dance music in germany forever and inspired countless individuals with its take on electronics. with two album releases on the incredibly influential frankfurt harthouse imprint, which was partly run by pioneer dj sven väth, techno germany’s undisputed father figure who still spearheads the scene, and three album releases on virgin, there is hardly any live act and producer duo as successful and innovative as d3r

frederik hatsav (aka metalogic) is a toronto based dj and producer. since 2000, fred has released work on several different labels, as well as a full length album on his home label boshke beats records (home to midimiliz - extrawelt, the rockitmen, fuzzion and x-dream). he is also known for >the rockitmen<, a collaboration with alex tolstey, the man behind boshke beats records. for his latest work, fred has teamed up with torontos hottest underground dj and musician, jamie kidd. together fred and jamie produce a fresh driving sound, cut with a growling undertone that leaves you feeling like youve been properly assualted on the dancefloor

monomachine behind the name monomachine lie two well known musicians of the spanish and chilean electronic scene respectively: iñigo oruezábal and francisco allendes. this adventure in minimal code, sometimes more techno and others more house oriented, gathers all the background and joint professional experience of both artists, as a result of years of individual experience in the best dj booths and studios in spain and south america. its a sound that relates directly with the vanguard sounds in the current electronic dance music has its main target in the dance floor, not leaving aside a high quality production which results in an intense and clear sound. here are their latest tracks, released on catwash records.bomb jack on the a side is a tweaky, techy, track with jungle drum and percussion, and a soothing constant bass line that makes this track a great connector in any set. ghost and goblins on the b side starts out with some rhythmic minimal bongo drum sounds before a deep echoey bassline enters and kicks the track into its real journey. the contrasting synth sounds add flavour that turns this into a good boppy track that will get the peeps grooving on the dancefloor!

warm up can be considered as one of spains prime flagships of underground, true techno music. labelboss, master dj and producer oscar mulero has been on top of things since the early days of dance and the man is still kickin it! here he launches another warm up production which includes two stunning remakes by two 2nd to none artists: surgeon and loktibrada - the last remixes one of warm up most impressive releases, the nine (wu 09)

we are very happy to welcome on this 6th release one of the hottest girls of the moment soz adams. after winning the remix contest for claude von strokes worldwide hit >deepthroat< on dirtybird rec. she has decided to release her debut ep with us here at esperanza, showcasing her forward thinking, forever dark way of doing things. on a1 we have eyes forlon. this track is characterized by an amazing groove that will leave u hypnotized from start to finish, thanks to its solid arrangment which makes for a dark and introspective track. moving to a2, eyes forlon has been remixed by minus hottest property jpls, who delivers an incredible remix, re-editing all the rhythmical parts while keeping the all the sounds that charactirezed the original track. the 2nd remix on b1 comes c of inxec from contexterrior. he gives a funkier and more intense interpretation of the track, cooking up a real dancefloor bomb. finally for the b2 we have >behind the checkout<. a broody evil track but at the same time groovy, a special crossover that will excite the weirder and more eclectic djs around. an amazing debout for the stylish hottie soz. with this record we are sure that she will capture the hearts of you all and cause serious damage on the dancefloor.

2 excellent nynx re edits of these 2 classic tracks a side feat a nice version of john lennons classic every man has a woman who loves him flip over for a spacey and funked up disco edit of elvis costellos walking on thin ice

tannen consists of stel, the man behind all things group therapy, and vangelis otherwise known as phatjack. stel’s discography so far has seen him produce original work and remixes for some of the hottest and most popular labels in the industry such as audiotherapy, bedrock, saw, armada, baroque, swift, oxyd and global underground. phatjack have released on labels such as nascent, baroque, deep, sog and extrema. we were confident that their production together would be tasty stuff! nick warren (head of a&r) agreed and used blackout to end his latest global underground compilation, which reached the top twenty uk compilation charts

after the quite dark winter-release shotgun 01 could be found in various playlists in germany (f.e. dj karotte) and outside and is almost sold out now, here is the second shot, which is - according to the season - more housey and funky. >its going down< works with classic house-vocals and a killer-groove, whereas >young in paradise< is a track full of tension, using a quite funky guitar-sample. this >young in paradise< has just been used by dj linus for his new mix-compilation on exun records.

i get lifted is a version of the track harry wayne casey (k.c.) and richard finch (later known in life as kc and the sunshine band) produced for george mccrae. los angeles vocalist fanny franklin shines on vocals riding an irresistible cosmic flavored tune that settles nicely somewhere between live disco and spacey soul. franklin has appeared on recordings by dakah and sang alongside macy gray. she is the de facto orgone vocalist to appear on tours and as the main vocalist on the upcoming album. on the flip is an instrumental inspired as much by roy ayers as fela kuti. its what you do will appeal to fans of the bands previous recordings like hambone and funky nassau

tayos distinctive dub breaks style has forged its way forwards onto a worldwide platform with impressive dj sets and radio shows on kiss and bbc radio one. his fusion of other genres into breakbeat can clearly be heard on his fabric live 32 mix cd, which is an absolute corker! this time around he is not alone and teams up with the dynamic duo ctrl z. they also have an impressive repertoire with releases and remixes under their belts on respected labels such as 777, hardcore beats and rat records. its no surprise then that we have a heavy dub influenced groover everytime, which makes a perfect summer time party tune. on the flip lovers rock teases it way from a slower reggae groove to a full force bassline that will tear any dancefloor apart.

goodlife, gigolo, hot banana or turbo are just four of the countless labels, where kiko has released some of his most eclectic productions. now it’s time for him to rock huntemann’s confused label. his sound is always trenched with electro, ebm and intergalactic disco elements - a certain ratio of retro. faces of life is no exception from this rule. saw-tooth basses a raw drumming and spaced out melodies pave the way for this rave club weapon from the outer rim of uranus. galaxia is another example for his approach towards electronic dance music – comparable to the dutch legend legowelt he simply knows about the analogue sound world. this is a big rock band shrivelled into a moog space ship

dk7 presents the first in a series of remixes!!!! lopazz remix, a man who has carved his very own aesthetic niche for the last few years. previously label mates with dk7on output, lopazz always suprises and this time he has not let us down! tommy four seven remix: a great new production talent who is having his material snapped up by tom nevilles love minus zero label and david duriezs brique rouge. after doing a top remix for mark o sullivans jm recordings imprint(rockstars swallow it) dk7 made no hesitation in commisioning this fine remix

with traces of melancholy and mystique, the modern and peculiar sound of saso recyd from macedonia has been captivating the attention of the pikiest of techno consumers in the past decade. saso has been working hardly on developing his own distinguishable sound which is coming along with phenomenal feedback. so it s no surprise that protagonists like patrick lindsey, marc romboy and even detroit s john acquaviva have picked up these tunes to play them frequently. besides this record release you should watch out for saso s upcoming release on definitive records too!

disc two continues the foray into deep, electronic territory. the devastating and downright dirty radio slave remix of peace divisions blacklight sleaze heads up the a side, and has been out of print on vinyl for many months until now. on the second side, san frans dano serves up a deliciously dubby remix of mood ii swings classic slippery track and chicken lips get all italo inspired on their acid mix of nick holders player 1

bomb alert! peaktime pressure all the way! house music is dead is another unbelievable track the beats are tough but groovy, and dark electronic synths rise through the mix before the haunting main hook rears its head. think trentemoller meets fedde le grand.this track is buzzing everywhere & has just been picked up by a leading uk label for a forthcoming release!

ein knarzender hometrainer & ein acid pauli, der nach rex the dog klingt, machen auf smaul ein fass auf

rotterdam is known as a nutritious breeding ground for techno in its many shapes and forms. this very alive environment has caused a new imprint to arise: dinner. the label presents a rock solid sound based on futuristic offbeat patterns and industrial vibe. the artist featured on the label are some of the most outstanding dutch new talents, jeroen liebregts, fiend & friend and anton pieete. downwards-like techno trax

german producer francesco diaz with a little help from those young rebels! more famed for their funkier productions, the duo allow their darker selves to creep outof the studio delivering a dark, heavy synth-graced beauty, complete with a naughty spoken top line….as ever with joia, the remixes aint just on here to make up numbers – swiss producer danny freakazoid has been doing the business now for the past 2 years, an ever present in the circles of toolroom, cr2 and big love, he applies some of his trademark studio wizardry keeping the mood a cool shade of dark whilst stripping loose the vocal. the final mix, is superbly constructed by the ever talented john dahlbäck, slick bumpin electro vibes work alongside the chopped up vocal perfectly, tailor-made stuff for the forthcoming seasonof mayhem…

alton miller is a bona fide detroit house music legend, with over 35 12 inch singles to his name, and 3 full length albums. he has released music on virtually every classic house label from planet e, guidance, kdj, peacefrog to distance, mahogany and nite grooves. possibilities featuring lady linn is the first 12 inch release from his forthcoming album on r2 souls like mine and it has all the makings of a broken soul classic. the first remix is by osunlades new yoruba records signing zoetic. on possibilities he has provided that classic yoruba soul feel, elevating this to a dancefloor essential. the second remix is a deep ancestral dub from armani kombot naguemon a.k.a. boddhi satva. he has created an ancient yet modern tribal tech burner, perfect for those late night moments when only the true spirits occupy the dancefloor

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

since 2000, d julz produced and released his tracks on labels such as dessous, ovum, brique rouge, se rial, 20/20 vision, paper, music for freaks and end recordings, and we are happy to present his latest tracks on poker flat. >runny< is a great euphonious, techy and percussive track around an alienated violin sound. the remix has been contributed by dan berkson and james what, who released already their >cantina< ep (pfr77) on poker flat. their mix comes in the typical berkson and what sound with warmer keyboard sounds and a groovy bassline. >sign< on b2 is a deep, but pushing tech-house tune with a great build-up. super-cool ep!

redshapes profile is still rapidly growing. taken in mind it has been just over one year ago redshapes first ep was released on delsin - a lot of things have happened! nowadays weekly doing performances through europe, and two singles ending up in de:bugs 2006 chart. back to now, this new ep. steam comes in clonky and rough, as the track species on his last ep on redshapes own imprint present. light is a deeply beatless freaked synth excursion. the flip brings more hot stuff - starting with munch, a more detroited redshape as before! sounding as a lost 69 track, with its quircky chopped up breakbeats and whobbling synth bassline. plush at last brings in the otherworldy sounds inline of this ep on styrax. catchy business!!

par grindvik has turned out to be an expert in stripping techno tracks to bare minimum, without these loosing power of groove. par has already worked with newcomer linzatti on his label and now the boys team up once again for the rotterdam based shadowfax !!

shlomi aber has delivered his debut release on ovum. coming off his successful releases on cocoon and renaissance. shlomi is one of the hottest producers of the moment and he has delivered a twelve inch that is totally ovum. the original mix is is an absolute roller. shlomi knows how to deliver the groove. he manipulates the percussion to creat a very cool rhythm that builds to a prime time climax that drops back into that infectious groove. on the b side gel abril brings in the 303 to give the track a twisted approach. the acid mix is an absolute stormer ready to devistate any main room set! gel abril tweaks the acid line into perculating climax that drops back in to devistate any dance floor. this record is big!!

dont worry, christophe dalla-ca aka kiko is not interested in a seventies disco revival, even if the tongue in cheek reference to john travolta in the title track of this ep might imply that. on the other hand, the work released by the man from grenoble for such renowned labels as ozone, hot banana, goodlife and turbo has consistently shown that kikos interpretation of techno from the 2000s also includes a conscious reworking of past dance floor orientated electronic music. in this sense, kiko has succeeded in making three stand alone, coherent interpretations of a mutual meltdown of new wave, disco and elektro, with the tracks on the >tragolta ep<. whether he is impressing with the best possible mix of ebm and dave clarkes red series (30.1) or enchanting us with the continuously jewel like, dazzling melancholic melodies of >electric burst< or >tragolta<– the fact remains true that he perfectly supplements this approach to the sound cosmos of datapunk

incl. rob acid aka robert babicz mix, after it has been a long time since a record was released on our favourite label fq inside, is it more than time to bring one out…here and now we come with a really fine acid track. it was produced by gabriel fiebelkorn from cologne. thats probably the reason why it was named >burn cologne<…but cologne isn t burning, but for sure the track is – it pumps and pumps and pumps, that it is a really great pleasure to listen to it. it is a very great acid track without being oldschool. the rob acid remix comes along with his typical hypnotic style and flies with you around cologne. close your eyes and enjoy! fantastic!

his fans love his flawless productions, his fresh and groundbreaking sound, which has been produced by boris s. since he was 13 years old. now its time for his first release called >back< on t:classixx. its a track which is taken from his debut album >mental disorder< and features beside the original mix an amazing sven wittekind remix and an earthshaking robert natus remix. nothing more to say

if you already have admired dermaptera 1 you will be surprised by the phenomenal sequel dermaptera 2. but of course it will be a good surprise and even more than that! a very exciting subbass, rhythm and beats that will make you shiver! the three tracks are genial ear catchers up to the first second. exactly the right thing for people who like real hard stuff. after hearing this great record the conclusion can only be awesome! surely, the minimal scene has received a great benefit with this unique opus

incl. motorcitysoul mix, support by laurent garnier, sven väth, chloe, x-press 2... following hot on the heels of danton eeproms twisted anthem >one thing leads to another< (still big with damian lazarus, radioslave, ivan smagghe & locodice) comes more sublime deepness with the first part of david ks >three arches< ep. david k has had quite a year so far with the huge >boul de nerf< (freak n chic) and >mayann< (cocoon). the original of >incoming< is a unique and essential track for all fans of deep electronic house music. for the remix motorcitysoul deliver a stunner, adding a heavier bottom end and their own melancholy melody that joins the dots between classic chicago trax, deep house and techno.

played by adam beyer, shlomi aber,damian lazarus, matthias tanzmann, sebo k, laurent garnier, sian, karotte, gregor tresher, funk dvoid, jussi-pekka, martin eyerer, toni rios, oliver klein, tom clark, phonogenic... also licensed to next get physical compilation mixed by damian lazarus !! after the promising label premiere with random plays >just like that (incl. alex under remix)<, we proudly present this 3-track-monster-ep-package by patrick zigon! hailing from germanys beautiful city konstanz, patrick zigon currently gains attention with his remixes for guy gerber & shlomi aber >sea of sand< on cocoon, extrawelt >doch doch< on traum and the martin eyerer & gui boratto collaboration >supersnack< on trapez. after such hot remix action, he has put all his skills into this e.p., offering 3 soulful dancefloor tools for almost every moment of the night. whether its the trippy, hypnotic >mental draining<, the sexy bass beast >third destination< or the deep house touched >soultray<, each of them actually deserves to be the a-side

nice and chunky, keep up doing what you do so wellintroducing deadset: an act that crafts house music in some of its many disguises. the two man team used to do a lot of that, and a little bit of this. before deadset1 and deadset2 came into being, they played in the sandpit with the likes of muse, miss kittin, royksopp, tiefschwarz, justin timberlake, scissor sisters and with labels such as fine, blue fin, souvenir, made to play, wall of sound and tsuba. now they do a lot of this and only a little bit of that. disregarding this, that and the other, their tipping point has arrived… they have also been allowed to play around at the likes of weekend (berlin), panoramabar (berlin), fabric (london), the end (london) and countless other joints. lovingly nurtured, their forthcoming album, keys open doors, is about to be released into the wild from the arms of jesse rose and his front room label. music for now, with an eye on tomorrow, made with sounds of then. deadset 1 is tom mangan. deadset 2 is cass. cass + mangan is dead. long live deadset

and so we have, >irst_te?< the word is bay area fillmore slang for >thirsty?< worthy saw it painted on a fence somewhere and made a track about it. this could be a breakout year for worthy who has already had multiple plays on radio one of his >whistler< remix and >that funkin noise< from his digital label, katabatic. >irst_te?< is bouncy and fun and it sounds kind of like it was inspired by the band in the original star wars with the alien clarinet players and the blue elephant on keys. claude vonstroke takes it darker and more techno, with an epic sounding build that could fit into almost any set

>sos< combines the classic stonebridge club sound with some new, fresh elements that all together thrown into the melting pot lead to serious mass hysteria on the dancefloors. vocalist erire, who has been alongside the swedish house don for many years provides a classy female vocal that stays in the clubbers mind and keeps flowing perfectly with a huge bassline and some genuine synth riff. on the flip ortega & gold deliver a mix that at first listen might sound a little too heavy but try this in the club and youll see what happens! additional mixes still to come from wawa, chris kaeser, playmaker and man of the moment mischa daniels will add their magic to and already outstanding record in its original versions. sos-stonebridge is back with a blast

zidan style, chaim & k 300– hailing from tel aviv, one of the countrys most vibrant cities, zidan style has turned into one of isreals most sought-after producers in the last few years. teaming up with chaim aka dj h, also one of the best-known djs and producers in tel aviv as he has cultivated a border community style, a mixture of chicago house, dirty and minimal techno and party electro, the two set out to let their worlds collide in the studio... their two hypnotic yet driving tracks will strike a chord with those who like it pumping with a little touch of magic sprinkled in

highly profiled spanish producer pablo bolivar is the creative mind behind this feature. pablo has already established himself on the electronic music scene with a series of 12 inches, a long player and is also successful dj. here comes his debut on mis records with a great phage & daniel dreier remix (highrade)

special limited edition 10 inch record from label heads the sound republic, on an ultra high quality pressing with full jackets and 2 super hot joints, making this a record for the collectors as well as the disc jockeys who have come to rely on tsr for slammin dancefloor material. a return to their roots in funk and jazz, the a side get loose (take a breath) hits with absolutely crushing beats, a running bassline, and a sax bit that has every partygoer running to the dj booth whenever the track gets played asking what in the good god they are hearing! flip the cute little guy over for funkyard junk, a tune that starts with a garbage can percussion jam that eventually works up in to some good old down home southern funk, complete with hand clappin, foot stompin hoots and hollers and yet another infectious guitar hook that can only be described as good times house music. these two funky cuts still have a fresh and modern sound while maintaining that good ole chicago vibe that sends the dancefloors in to a tizzy. receiving massive support from the heavy hitters of the underground, raoul belmans, dj mes, diz, justin long, dj heather, and bryan jones amongst others were caning the hell out of this at this years wmc. dont sleep on this extremely special limited edition pressing of the fifth spatulacity record, yet another quality minded release from some one of the most consistent names in house musics new school

please welcome saarlands finest mimo with his debut release on punx records! catchy basslines and a fantstic hook and maximal power are the characteristics of this track! dude robert babicz has the funk and made a awesome housy and deep remix!

david ekenbäck has developed a sound that is not what you would expect of a young swede. dynamic electro-techno, often accompanied by soft melodies, his music is thought often as an enigma to unsuspecting listeners. here he delivers two perfect examples of that. on the aside youll find this killer track. >data death< is like someone sneaking up on you in an alley and stabbing you in the back. a peak time electro raver for the likes of trentemøller, sebastien leger and great stuff.

massive hard-techno lp !! during the last years the labelhead of frown records called not only massive attention to himself by producing acts like felix kröcher or sven wittekind but also by his own records, which were released on reputable and well-known labels like bitshift, abstract or inflicted. his fans love his flawless productions, his fresh and groundbreaking sound, which has been produced by boris s. since he was 13 years old. you will find his vinyls in the cases of robert natus, arkus p., pet duo or dj rush. today boris s. is a class of its own in the techno scene and since two years it is not imaginable to experience any techno event in europe or brasil without boris s.

you may know alberto lodde alias dusty kid from his productions under the name duoteque. with five e.p.s under the boxer imprint alberto and his partner andrea ferlin have caused a massive stir in techno land and the latest edition of their hit record <amarcord< has been successfully remixed by nobody else than >my my<. however now it is time for alberto to walk solo paths and after an impressing release on kling klong he does his debut on systematic. >tsunamy< has to be handled with care as this can damage any dancefloor in the world as it is explosive sawtooth bassline peak time action at its best (sorry, cant write anything else). >milk< is the opposite to the flip side, a very sensitive and atmospheric groover in the tradition of border community

after productions with sven väth and dj hell, anthony rother continues the tradition of mutual sound enrichment in an ingenious way, including the current publication for the sublabel datapunk limited. this time, no less than xenia beliayeva is involved, up to now the only female producer on datapunk thanks to her highly acclaimed >ultra glamour ep< of last summer. the 26-year-old muscovite by birth has regularly worked as a disk jockey already since 1996 and is considered as one of the hottest german dj insider tips since her support gig for kraftwerk at the zkm opening in karlsruhe. a part from brilliant breaks, xenias remix of rothers retreaded super space model hit >dont worry< is mainly characterised by the interplay of beliayevas and rothers voices, >love s gonna change your life for good<, who would have ever dared to doubt about that. with the flipside, rother once again did a solo revision of >roses<, available up to now exclusively on the cd version of the album >super space model<, and created a highly dynamic synthesis of classical datapunk sound and sporadically interspersed reminiscences of the romantic synthpop of the past century

forward is a bold and brazen release using a variety of rhythms, the track moves through an epic journey, culminating in a breakdown that simply has been destroying dance floors keeping up the sound of spectrum mission to provide a range of mixes that will keep the most eclectic amongst you happy we see reworks from tony thomas, kids and tracksuits and the on fire (and recently decorated) hexadecimal

recognise is a ruthless peaktime roller, wrapped up in a jackin house vibe and armed with a bassline that just wont let you stand still for a second. baobinga & i.d.s latest production has already been shaking the floor during their monthly residency at fuse, manchester with early support also coming from the likes of krafty kuts, skool of thought & 30hz. vandal is arguably the production worlds finest exponent of electro tinged breakbeat, producing hits like mad as hell on meat katies lot49 imprint which received 25 plays on bbc radio 1 or delivering the goods which went on to become one of plastic rayguns most successful releases. since his first release he has built up a reputation for constantly pushing the breaks sound, his remix of recognise provides a text book example, delivering a throbbing breakbeat madness that already has the backing of hyper

lerosa is dublin-based italian producer leopoldo rosa. the title track ruski combines a rough-cut sampled break with a loose, minimal arrangement of sub-bass and liquid synth pads. on the flip, russell and tempio are deep, moody house explorations, beautifully suspended by shifting sine wave pads and rhodes-like chords. born in rome, leo developed a love of electronic music through italian pop music of the 1980s, before discovering hip hop and acid house. he began djing in the early 90s and in 1995 moved to dublin where he got heavily into darker, deeper electronica and electro by the likes of autechre, drexciya and the extended detroit-inspired musical underworld. leo began producing his own music in 2000, concentrating initially on electro but broadening his range into unconventional house and techno styles. his debut lerosa release was the ‘maike ep’ on dublin’s d1 recordings in 2005. as well as this real soon release, leo also has a forthcoming 12inch on enclave recordings (ireland)

kaskade recently did some massive remixes of david morales here i am and pussycat dolls dont cha. kaskade is a special breed ofhouse star, one who has increased in popularity over the past few years in an industry where most of the major players have at least a decade (often two) of stardom behind them. sorry is taken from kaskades third album love mysterious. though his trademark melodies, sensual vocalists, and emotionally driven sound remains intact, love mysterious is a bolder production and reflective of kaskade s growing acclaim and popularity worldwide. man of the moment dirty south did and amazing job on the remix, that rocked almost every party at miamis winter music conference